Bruce Springsteen's new album "Wrecking Ball" is, without a whisper of a doubt in my mind, the strongest, most cohesive, best-sounding album he has produced in the past 11 years. That I would argue to anyone who cares to hear me rant, really. What blows me away about this album is that it is probably my favorite Springsteen album post-"Born in the USA".
Nah, definitely.
The beginnings of my espousing to others the magic and the brilliance of Springsteen came when I became a convert in the late 90's, listening, re-listening, crying to, pouring over, and attempting sorry re-hashings of the core of his catalogue: "Born to Run", "Darkness on the Edge of Town", "Tunnel of Love", and, of course, "Nebraska". Unfortunately (to me) the beginnings of my apostleship also coincided with his re-emergence with The Rising and his subsequent run of ho-hum albums since then. Each new release brought with it the promise of being the new "Darkness" or the new "River", only to disappoint me when I didn't really enjoy the album as much as I thought I would or should and the rest of the world exalted his majesty and his brilliant touch again.
The albums since "The Rising" include: "Devils & Dust", "Magic", and "Working on a Dream", as well as the folk cover album "We Shall Overcome: the Seeger Sessions", and "The Promise", a release of unrecorded tracks from the late 70's. I enjoyed them all, and have come to appreciate "Magic" especially, but each release left me feeling empty and with the thought that Springsteen was trying to stretch himself and coming up short. Meanwhile, the critics would rave about how "eclectic" his new sound was now that he was incorporating drum loops or how "multi-cultural" he had become because he had some black folk singing backup about God.
It was all pretty annoying to me, because I knew deep down that he had more in him, and that now that I was a full-blown Springsteen apostle, I didn't have my "own" album to write about.
I think I do now.
"Wrecking Ball" is fantastic. It is loud, fun, cynical, mean, tough, smart, pensive, and timeless. Springsteen is penning lyrics like he always has, lyrics that speak to both the current time and all time. Yes, the album is political. Overtly political, even. Get over it. Springsteen has been writing political songs since the 70's and has been outspoken about his politics since the 90's. Get over it, critics. It is just a part of his music at this point, and you can take it or leave it as you choose. I simply get sick of hearing the same review every time a new Bruce album hits - "Well, the songs are rockin', but be warned: he's a Demmycrat!". So what.
I believe in the music - and I guess that's what hit me first. Outside of "Rocky Ground" (admittedly weak) the songs ring true and genuine - not forced integration, but true homogenization. He has taken his eclectic experiments from the past decade and welded them into a goddamn wrecking ball, and my jaded E-Street ears can tell.
I have to admit there were times in the past few years where I thought that maybe Springsteen had truly past his prime and that while the earnestness and the intention were there, the craft and the passion were not. This album takes that theory and blows it out of the water.
It has it all (at least the things I like in a Bruce album):
1. The Radio Rocker That Everyone Likes That I'm Kinda Lukewarm On - "We Take Care of Our Own"
2. The Fucked-up Anti-Corpratism Mellow Nebraska-ish Song: "Jack of All Trades"
3. The Glory-Glory-Hallelujah Ending Song: "Land of Hope and Dreams"
4. The Boot-Stomper That You Don't Expect to Get Stuck In Your Head: "Shackled and Drawn"
5. The Sleeper Song That I Think Nobody Gets But Me: "This Depression"
6. The Ultra-Clever Throw-Away Pop Song Just Because He Can: "You've Got It"
Simple formula, right?
"Wrecking Ball" is the first Springsteen album since, well, "Darkness", that made me feel the way "Darkness" did the first time I heard it.
And that's about as high praise as I can give.
Wednesday, March 7, 2012
Springsteen: Wrecking Ball Review
Posted by Baltimore Guitar Works at 6:24 PM 0 comments
Labels: BROOOOSE, Small Towns, Springsteen, Unapologetic Gushing
Tuesday, August 16, 2011
Everything is Amazing and Nobody is Happy
A few months ago I wrote a post about how amazingly simple it is these days to find and access any type of media from virtually anywhere on the planet at any time, and how we already take it for granted. Comedian Louis C.K. apparently agrees with me - here he is recently on the Conan O'Brien show:
Posted by Baltimore Guitar Works at 11:16 AM 0 comments
Labels: Downfall of Culture as We Know it, Funny
Thursday, June 23, 2011
Bryce Harper, Getting Better By the Day
Posted by Baltimore Guitar Works at 12:17 PM 0 comments
Labels: Baseball, Bryce Harper, Toolbags
Wednesday, June 15, 2011
Sports Cards for Insane People
Now that Progressive Boink and the Dugout have moved on to greener (read: money-producing and read by more than 3 people) pastures, Jon Bois and Brandon Stroud's unique sense of humor is finding its way into more and more Internet articles. And to that, I say, huzzah.
Daniel O'Leary, champion of the pavement, did walk 200 metres through the streets of London without so much as a speck of goat, sheep, pig, cow, or human feces bespoiling.
His figure, a feat described by the Daily Mail at the time as "the preeminentathletic feat of our century, and more surprising still that O'Leary, and Irishman, did it all in what was a straight line indicating sobriety, and condition previously thought impossible among the people of the Emerald Isle." O'Leary fell into an open sewer at the 201st meter, but his record walk and unique technique lived on for years in the lore of London as "O'Leary's Walk."
I'm not sure how to describe that other than a Victorian-era newspaper clipping. It made me laugh, and it should make you laugh too, damn it.
Posted by Baltimore Guitar Works at 10:13 PM 0 comments
Labels: Humor, Progressive Boink, SB Nation
Monday, June 13, 2011
The King is Dead, Long Live the King
Left threadbare, all James could do was deploy his defense mechanisms.“All the people that were rooting me on to fail, at the end of the day they have to wake up tomorrow and have the same life they had before,” James said. “They have the same personal problems they had to today. I’m going to continue to live the way I want to live and continue to do the things that I want with me and my family and be happy with that.”Yes, James could leave in his Bentley or Rolls Royce or Maybach or whatever vehicle he chose to drive. He could, indeed, go home to his mansion where his personal chef might have a five-star meal waiting. Then off to his plush bed with 1,500-thread-count sheets. In a few days, it’ll be off on a private jet for a needed vacation.The vast majority of those who toasted his defeat will wake up and go to work on Monday morning.
Posted by Baltimore Guitar Works at 8:56 AM 0 comments
Labels: Basketball, BOOM, Karma
Monday, June 6, 2011
GEORGE BAMBERGER
Craig Calcaterra over at Hardball Talk had a good idea today which I am going to completely rip off: in doing his weekly baseball power rankings, he decided that instead of explaining their rankings, he would just list his favorite players from each franchise. And that, my friends, is right up my alley.
Posted by Baltimore Guitar Works at 12:02 PM 1 comments
Labels: Baseball, Cal Ripken, George Bamberger
Wednesday, June 1, 2011
Cats vs. Music - the Eternal Struggle Part II
Well, unless blogger.com's official blog stats lie, I can declare the Cats vs. Culture war officially over:
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Posted by Baltimore Guitar Works at 9:08 AM 0 comments
Labels: Cats, Richard Thompson, Social Experiments