Artistic Intelligence & the Lack Thereof

I finally received the Springsteen box set re-release of 'Darkness on the Edge of Town' for Christmas. It is a truly magical thing: 3 CD's, 3 DVD's, a color lyric sheet/photo set, and a reproduction of the notebook that Bruce used throughout the period. Awesome. If you're into Bruce, it is an absolutely essential item - but you probably knew that already. If you don't get Springsteen, don't worry about it - it won't change your mind.

But if you're interested in songwriting at all, it is chock full of cool quotes from one of the best in the business. This one hit me pretty directly:

I go back to most of my writings before 'Greetings (From Asbury Park)', and, you know, it all appears simply terrible to me. You know, you're still writing a lot of...bad words, you know? You're writing a lot of bad verses. So you're trying to learn how to write well, but your artistic instinct is what you're going on - your artistic intelligence hasn't been developed yet. Hopefully, it increases and develops over a long period of time. That gives you an ace to play, down the road, as you get older.

At the time, I was going on artistic instinct...and that's a wide-open game. You know, I'm following all kinds of paths, and all kinds of roads, and all I'm going is, 'That doesn't feel right'. 'That doesn't feel right'. 'That doesn't feel right' - that's how I'm judging.

That pretty succinctly says something that I've felt but have not been able to articulate for some time (something that Bruce does for me all the time). It's refreshing to hear a songwriter as great as him speak of struggling with 'artistic intelligence'. I kinda assumed he always had it. But there is a very real difference between having 'artistic instinct' (having an ear, having style, being able to recognize quality) and having 'artistic intelligence' (knowing when to hold back, what to hold back, being tasteful).

And once again, He Who Can Do No Wrong in My Eyes (well, except for Human Touch - that album suuuuucked) shows that there is still hope for me yet.

Water, Water Everywhere, and all the Music Sucks

It occurred to me this morning on my drive into work that there are two albums that I have possession of that have been released in the past couple of months by two of my favorite artists: Richard Thompson and Ryan Adams, that I have not yet listened to all of the way through. These are two decent albums that are quite listenable (at least the parts that I've listened to) and that have gotten very good reviews. I really don't have any excuse for not having listened to them.

Truth be told, I've been busy and I haven't been keeping up with either musician - both releases surprised me as I didn't know they were coming out. So it's not like I was itching with anticipation for either one, but still, I'm surprised that I haven't really delved into either album yet.

This never would have happened when I was 16. I can remember waiting, and waiting, and reading, and waiting some more for Eric Clapton to release 'Pilgrim' in or '98, rushing out to Blockbuster of all places to spend $16.99 to get it, and then listening to it all the way through at least 3 or 4 times even though it was an incredibly terrible album (and I knew it then, too). Same thing for the Rolling Stones' 'No Security' (also a terrible album), and Dave Matthews Band's 'Before These Crowded Streets' (not a terrible album). Back then, an album was a tangible thing, something worth waiting for and planning your trip out to Sam Goodie to buy it, bringing it home, reading all the liner notes, and playing it until you're sick of it.

Part of that whole equation was the fact that all of the other albums that were in your collection you were already sick of for the same reason - you had truly consumed them and taken them all in. All of which brings me to my theory on why I haven't listened to my Ryan Adams and Richard Thompson albums all the way through, and why I wasn't even excited to purchase them: Media Overload.

We are completely overwhelmed with media these days. Not only is it possible to listen to your music at home, at work, in your car, on the street, in the shower, wherever you want, it is entirely possible to listen to practically any music on the market at any time, as long as you have an Internet connection. Let me take a moment and list all of the potential sources of music I have at my disposal on a given day:

1. My CD library

2. My vinyl library

3. My iTunes library, which can be played on my computer, my iPhone, my iPod, or my home entertainment system through my PS3

4. Pandora

5. My MOG account, which for $9.99/mon allows me to either stream or download 90% of the music that is available on the market

You could make the argument that anytime I'm within range of a 3G or WiFi signal, I have basically 95% of the music that has been made in the last 60 years at my immediate access.

That's a lot of choices.

That also doesn't take into account other forms of media, like YouTube, RSS feeds, Facebook posts, DVD's, etc. I think the reason I haven't delved into those albums I mentioned is simply because there's so much more out there for me to delve into. It's not all great - in fact, the more I see the more I'm reminded of why I like the artists I do - but there's just such a wealth of stuff out there that it's frankly overwhelming to take it all in.

Should I be complaining? Am I complaining? I'm not sure. I certainly don't think it's a bad idea to have access to whatever you want, whenever you want. But increased supply means decreased demand, and that equals me being a little bit disappointed when I'm not directing all of my listening energy to devouring two new releases by two of my favorite artists. There was a certain responsibility you had to yourself after you spent $17 of your hard-earned lawnmowing money to really make your investment worth it. The two albums that I downloaded only cost me a fraction of the $9.99 that I pay each month for the MOG service, and I'm just not sure that that kind of ease and cheapness create the same type of commitment, if you will, to a piece of work.

I think that the record industry is going to need to come up with a way to recreate that link between the album buyer and the album - I mean, I care deeply about music and the music industry and I feel this way. How much devotion do you think a 16 year old girl downloading an album for free off of BitTorrent feels towards her Taylor Swift album? If the physical or emotional link to an album isn't there, nowadays it just ends up being a mislabeled .mp3 file shoved in the back of an external hard drive. And that is sad.

Going Back Down South, Part 1: Monday

So, as promised, here is the beginning of the multi-day journal I'm going to be keeping over the next week chronicling my trip to South Carolina to install a new theater system at the Congaree National Forest Visitor Center:

Today started brusquely; the Ravens - Steelers Sunday Night Football matchup from the night before proved to be just interesting enough to keep me up until past 11:30 PM. Typically I'm in bed by 10:30 at the latest to be up at 6 AM - today I had to be out of bed by 3:30 AM. I knew I wasn't going to be the happiest of campers going into the whole ordeal. However, the whole situation was made worse by the fact that the game was a battle down to about the last :30 seconds, when Joe Flacco couldn't complete on 4th and 2 and the game went to the Steelers. I had to go to bed with my heart pounding and my nerves, well, all a-flutter.

Needless to say, with the combination of the game, my nervousness over the impending trip, and our fat cat Layla who insisted on laying in between my legs at the most uncomfortable position possible (as usual), I believe I got about 45 minutes of quality sleep.

Not the best scenario before embarking on a 9-hour drive.

Nonetheless, I got up at the right time, put in my contacts without too much pain or effort, and thanks to my work the previous evening packing and preparing, was able to push off from home base on time and in a decent mental state.

One of the most difficult things I've found when dealing with a long travel day is the timing of your food and drink intake. All of us have standard schedules for eating and drinking when we are at home and operating in 'standard' life mode. However, things tend to get altered a bit when you wake up three and a half hours earlier than usual, expend a ton of effort getting your vehicle loaded, and then proceed to sit on your ass for the next 9 hours. My diet today has been thus:

4:00 AM - a glass of water

4:30 AM - a 'lungo' espresso from the work espresso machine

5:30 AM - a FiberOne chocolate chip bar

8:00 AM - a McDonald's sausage burrito & small orange juice

10:50 AM - a Burger King Whopper value meal, small, with a Diet Coke

11:30 AM - a 20oz bottle of water

1:00 PM - an orange 5-hour energy drink

4:30 PM - a 16oz bottle of water from the hotel

5:30 PM - a Bombay Sapphire martini, dry, with two olives and a batch of homemade chips

Okay, so perhaps not the most healthy travel day of my life, but what are my options? Even if I get rid of the martini and the 5-hour energy, my options for food on the run are not spectacular. Subway, I suppose - but Subway always leaves my stomach gurgling in a 'deli meats shouldn't be quite that cheap' kind of way. Why doesn't America have healthier fast food options?

ANYway...

Today we unloaded all of our gear at the site and locked away the trailer behind the maintenance yard. Tomorrow we'll get started removing all of the theater's old gear and running our new lines throughout the building. I'll take some pictures tomorrow so you can get a feel for it, if you're so inclined.

As far as pictures of the area go......well, let's just say this section of South Carolina isn't exactly coffee table book material. As far as I can tell, this area is primarily churches, fire halls, extremely well-placed cops in Dodge Chargers, flat plains, cotton, and not much else. I'll try to grab the essence tomorrow, but you know how it goes trying to catch lightning in a bottle.....